My work as an editor generally falls into two camps - I'm invested in pursuing a career as a narrative editor, which is to work on scripted productions such as TV drama and film. I've worked in this capacity more and more over the last few years, adding children's dramas and short film credits to my CV, and continually developing my own methodical, fast and instinctive approach to storytelling.
I'm also an experienced online editor; a role that allows me to be part of broad variety of production types, and can cover anything from colour grading to vfx to file-encoding and delivery; essentially, the finishing stages of a post-production workflow.
Free from January 2019
You're only as good as your last job, or so the saying goes. I've been lucky to work on a variety of different types of programming, especially as an online editor. Below are some favourite examples that I've worked on in either capacity.
prod. Moray London, dir. Nic Hall & Simon Hall
Onliner & Colourist | 13×30’
Beyond Bionic is a science/educational series for CBBC pitting nature against technology. This was the first time I'd been tasked with grading an entire series. It was filmed in all sorts of locations with a plethora of cameras and lighting scenarios, but came out looking great. The second slide below a is shot of the grading in action, completed in Avid Symphony.